Kerry James Marshall’s “SOB, SOB” and David Dabydeen’s Philosophical Aesthetics
Abigail Zitin— I remember it being at eye level; else how would it have caught my eye? I had gone to see Mastry, an exhibition of works by the African-American painter Kerry James Marshall, at the Met Breuer in January 2017. The painting in question, like most of Marshall’s, is large: six feet