“British Art” lay at the margins of art history until the 1980s – the very phrase an oxymoron, a Yale colleague told me, since there is no British art to speak of. A certain introspection haunted even brilliant interpretative essays such as The Englishness of English Art (1956), given as
As a new exhibition at the National Gallery London looks to our neglected woodland for inspiration, our London office recently asked its creator – National Gallery associate artist George Shaw – some questions about painting, poetry, music, and why he went into the woods… A Conversation with National Gallery Associate Artist George Shaw
A complex figure, and divisive during his lifetime, Joseph Mallord William Turner (1775-1851) has long been considered Britain’s greatest painter. The new biography of the artist, Young Mr. Turner: The First Forty Years, 1775-1815, gives a comprehensive and engaging account of Turner’s early life, drawing together recent scholarship, correcting errors
Follow @yaleARTbooks Edwardian Opulence: British Art at the Dawn of the Twentieth Century opens with Giovanni’s Boldini’s Portrait of a Lady, which features a popular society woman seated on an elaborately embroidered coral silk settee fanning herself with a great black ostrich feather fan. As she leans toward the viewer
This summer, the Yale Center for British Art is presenting the exhibition Art for All: British Posters for Transport. The show is based around Henry S. Hacker’s collection of promotional posters designed in the primarily 1930s for the London Underground and British Railway system. The works are exceptional examples both
The announcement came out this week that three Yale Press titles won awards. Two of them, The Arts in Latin America and Surrealism and the Spanish Civil War, will share the Eleanor Tufts Book Award of the American Society for Hispanic Art Historical Studies The Arts in Latin America by
“The scale and drama of the largest of these works takes your breath away. This is art as theatrical spectacle.” The works so acclaimed are a series of monumental black-and-white paintings of the London cityscape by John Virtue (b. 1947), former Associate Artist of the National Gallery, London (2003-2005). These