Glenn Adamson — “Keep the Corean pot in memory.” With those words, the great potter Bernard Leach imparted one of his most treasured possessions to another great potter, Lucie Rie, in February 1947. The object in question was a Moon Jar – so named for its whiteness and nearly perfect
Sequoia Miller– Long on the fringes of mainstream narratives of modern art, ceramics are typically considered a field of practice entirely distinct from painting, works on paper, and more conventional forms of sculpture. The Yale University Art Gallery’s recent publication The Ceramic Presence in Modern Art: Selections from the Linda