Erasure, Submission, Apotheosis Jacqueline E. Jung — Though hardly numerous, images of African men – often dressed in military garb, and always acting on behalf of established institutional powers – played vital roles in the sculptural programs of French and German Gothic cathedrals. At Magdeburg, St. Maurice was a well-armed
Nick Groom— William Harvey’s understanding united conventional classical models with new post-Paracelsian thinking, investigating blood through physical observation and examination, rather than by deferring to ancient authorities. Following Harvey’s groundbreaking work, in 1656 the architect Christopher Wren pioneered hypodermic injections by intoxicating his dog with wine injected straight into its
Images of Justice and Power Jacqueline E. Jung — In the choir of Magdeburg Cathedral, the black Saint Maurice, carved and painted around 1250, stands with his co-patron Catherine as complementary opposites; together they indicate the plenitude of this Christian ecclesia in both its Militant and Triumphant aspects. (Read more
Saint Maurice in Magdeburg Jacqueline E. Jung — The stunning sandstone sculpture of Saint Maurice made for Magdeburg Cathedral around 1250 – representing the fabled fourth-century leader of the Roman army’s Theban Legion, who allowed himself and his men to be killed for their embrace of the new Christian faith
Charles B. McClendon’s book The Origins of Medieval Architecture: Building in Europe, A.D. 600-900 has won the 2007 Otto Gründler Prize sponsored by Western Michigan University. Presented at the annual International Congress on Medieval Studies, the Otto Gründler Prize is awarded to the author of a book or monograph judged
Roberta Smith reviewed “Set in Stone: The Medieval Face in Sculpture” in the New York Times today. The exhibit is currently on display at the Metropolitan Museum of Art and will run until February 18, 2007. From the review: “Set in Stone: The Face in Medieval Sculpture” is one of