Karl Kraus— A literary man sensitive to fine writing might even understand my position and recognise that, in the journalism and rhetoric of the new creed, we have not seen or heard a single German verbal expression that has not belied its purported content. Among the many neologisms inspired by
Michael H. Kater— One morning late in October 1938 the Viennese poet Josef Weinheber rose from among 250 of his compatriots assembled in the landmark Elephant hotel in Weimar. Fortified by two bottles of wine he stepped up to the lectern at the front of the hall and gave what
Stephen G. Fritz— Life is normally characterized by irony, paradox, ambiguity, and ambivalence, but Adolf Hitler saw it with a startling (and frightening) clarity. Beginning early in his career as an orator and political rabble-rouser, he habitually used history as an explanation and justification for his actions. He had, indeed,
Marion Kaplan— As I sit here, the week between Christmas and New Year’s Eve 2019, reading the news on various websites, I am drawn to the plight of refugee children at our southern border and those already in the U.S. In Mexico about 200 young children sleep in tents near the
Helen Fry— In 1939 British intelligence took over Trent Park in North London, the former country house of the aristocrat Sir Philip Sassoon. The house was “wired for sound,” and a hidden workforce of men and women moved in. This was one of three secret sites where German prisoners, and
Michael Kater— Much has been made in recent weeks in the international press of German chancellor Angela Merkel ordering pictures by Modernist painter Emil Nolde to be removed from her offices. There was also mention of an exhibition in Berlin featuring Nolde’s works, which, according to the New York Times
Stephen G. Fritz— It is mid-September 1941. The unpredictable late summer weather in Russia has turned in Germany’s favor, as has the military situation. In late August, with the nightmarish and costly fighting near Smolensk finally concluded, Adolf Hitler has ordered German armored forces turned to the south where, in
Bill Niven— In April 1954, together with his lawyer, the film director Veit Harlan made his way to a gravel pit near Zurich. There, he demonstratively set fire to the only available negative of the anti-Semitic Nazi film he had directed for Joseph Goebbels: Jud Süβ, first shown in 1940.
Gregory Woods— Most anti-Nazi voices, instead of praising National Socialism for having sluiced out the stables of Weimar and reimposed a moral discipline on the German people, allowed the lax reputation of Weimar to linger over Germany as a whole for the sake of British and American readers, and then developed
Ben H. Shepard— The answer to the question of why the German army fought on as long as it did was an answer that evolved and changed during the war’s final two years. By February 1943, and by the summer of 1943 at the very latest, the great majority of officers and