Tag whitney museum of american art

… in which Nick Mauss answers some questions about Transmissions

Transmissions is an installation, a collage of several art forms, a revisionist investigation of New York modernism and sexual expression, and an essay in queer theory…. The juxtapositions show that Transmissions is a work of creative imagination as much as revelation. You go to sample it as history, you absorb

Continue reading…

Viva Mexico! Artist Visionaries and Rabble-rousers: Los tres grandes and Their Impact on America

Interview with Whitney Museum of American Art curator Barbara Haskell by David Ebony    The Whitney Museum of American Art’s groundbreaking and visually sumptuous survey, Vida Americana: Mexican Muralists Remake American Art, 1925-1945, arrived during a contentious time in the U.S. It opened on February 17, 2020, a charged political moment

Continue reading…

Destabilizing the Image: An Andy Warhol Retrospective

Interview with Donna De Salvo by David Ebony New art’s never new when it’s done. . . It’s not new art. You don’t know it’s new. You don’t know what it is. It doesn’t become new until about ten years later, because then it looks new. — Andy Warhol, The

Continue reading…

Grant Wood

We recently had the great pleasure of interviewing Barbara Haskell, American art historian and curator at the Whitney Museum of American Art.  She curated the current exhibition, Grant Wood: American Gothic and Other Fables, and edited the accompanying book. Yale University Press: Grant Wood hasn’t had a major exhibition in

Continue reading…

“Beauty and the Bologna: the 2017 Whitney Biennial” Interview with the curators Christopher Y. Lew and Mia Locks by David Ebony

David Ebony– This year’s Whitney Biennial, on view through June 11, is an extraordinary exhibition for a number of reasons. Widely regarded as the premier museum survey of contemporary art in the U.S., the Biennial, now in its 78th incarnation, is the first to take place in the Whitney’s new

Continue reading…

An interview with Dana Miller, curator of Carmen Herrera: Lines of Sight

Ivy Sanders Schneider– Carmen Herrera, who will celebrate her 102nd birthday this year, is finally a household name. Born in Havana, Cuba, Herrera has lived and worked in New York for over sixty years, but sold her first piece of art in 2002. She had her first major retrospective last

Continue reading…

Sneak peek: On becoming an art collector, from an interview with Thea Westreich Wagner and Ethan Wagner

For more than 30 years, Thea Westreich Wagner and Ethan Wagner have devoted themselves to contemporary art, and through their passion and acumen have assembled an extraordinary collection. This fall, the Whitney Museum of American Art is publishing a handsome, illustrated volume that is the first to document the collection

Continue reading…

Sneak peek: On becoming an art collector, from an interview with Thea Westreich Wagner and Ethan Wagner

For more than 30 years, Thea Westreich Wagner and Ethan Wagner have devoted themselves to contemporary art, and through their passion and acumen have assembled an extraordinary collection. This fall, the Whitney Museum of American Art is publishing a handsome, illustrated volume that is the first to document the collection

Continue reading…

Notes from the Field: The New Whitney

To commemorate the official opening to the public of the new location of the Whitney Museum of American Art, our Publisher of Art and Architecture sent these notes from the field after her attendance at one of this week’s opening events. Patricia Fidler– Stepping out of the taxi on Gansevoort Street

Continue reading…

Curator Barbara Haskell on Robert Indiana: Beyond LOVE

One of the exhibitions currently on view at the Whitney Museum of American Art is the extraordinary Robert Indiana: Beyond LOVE.  According to Forbes magazine, the exhibition is “A long overdue celebration of the depth and breadth of the 85-year-old Indiana’s work over five generations.”  Yale University Press is distributing

Continue reading…

  • 1 2