In choosing Memoir & Memory as our monthly theme for September, a reflection of our year in publishing the genre was telling: A particularly monumental year for Yale University Press in its release of personal letters and correspondence, we published The Richard Burton Diaries (Oct. 2012, pbk July 2013), edited by
Whether it’s summer or winter, you freeze. Your hands grow stiff as you try to decipher the document, and very touch of its parchment or rag paper stains your fingers with cold dust. The writing, no matter how meticulous, how regular, is barely legible to untrained eyes. It sits before
“This is not art history, and it is not criticism, nor is it some mixture of the two. It is not, in other words, what people expect me to be doing.”—Svetlana Alpers, Roof Life, “1 Beginning” Svetlana Alpers is one of the most influential art historians of her generation. She
The Memoirs of Walter Bagehot is an unusual inclusion in our September theme, “Memoir and Memory,” as the recorded memories, although told in the first person, were fabricated on behalf of Bagehot by historian Frank Prochaska. Walter Bagehot (1826-1877), called the “Greatest Victorian”, left no memoir of his life as a prominent
