Kathleen Pyne — In 1916 Georgia O’Keeffe received from the admiring New York photographer Alfred Stieglitz a group of photogravures he had published several years earlier. These pictures of nudes bound to dying trees or frolicking in refreshing mountain waters provoked O’Keeffe, in her own words, to an “absurd” level
James Prosek— For an exhibition at the Yale University Art Gallery and an accompanying book, both titled James Prosek: Art, Artifact, Artifice, I juxtaposed objects from the collections of the Gallery, the Yale Peabody Museum of Natural History, and the Yale Center for British Art and works made by me.
Why would anyone write a book about the architect Gordon Bunshaft? The consensus is that he was a rude and unpleasant man and, though he was responsible for the design of prominent buildings (Beinecke Library, for one), there’s a chorus of disdain in the background saying that as the chief
Some of the most outstanding examples of world architecture, such as the Mosque of Córdoba, the ceiling of the Cappella Palatina in Palermo and the Alhambra Palace in Granada, belong to the Western Islamic tradition. This architectural style flourished for over a thousand years along the southern and western shores
Interview with curator and author Anna Katz by David Ebony Pattern & Decoration (P&D) was an intense, but short-lived avant-garde art movement spanning the early 1970s, through the mid-1980s. It evolved from a coterie of young New York artists, but quickly took hold throughout the country, and also gained attention
“British Art” lay at the margins of art history until the 1980s – the very phrase an oxymoron, a Yale colleague told me, since there is no British art to speak of. A certain introspection haunted even brilliant interpretative essays such as The Englishness of English Art (1956), given as
My personal canon, especially in the world’s current political climate, cannot possibly belong to single field. The most important books for me now are calls from several corners of intellectual life, reminders of the urgency and possibilities of scholarship. They are all critical and humanizing. They remind me of the
Kim Sichel discusses her new book, a richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. YaleUniversity · The Wild World of Modernist Photobooks in France in the early 20th
A short Q and A with the author of a new book that explores the little-known early career of one of America’s most celebrated and beloved photographers: Making a Photographer: The Early Work of Ansel Adams. Yale University Press: Your book offers a different perspective on the entire arc of
My recent book, Picturing War in France, is ostensibly about war imagery produced during the first half of the nineteenth century in France. It is also a book about questions of taste, quality, and the hallowed canon of art history. The subject of war imagery allowed me to challenge my