Tag contemporary art

Artists and the Rothko Chapel: 50 Years of Inspiration

Frauke V. Josenhans— The Rothko Chapel is a place of pilgrimage: artists and art lovers are drawn by the cycle of 14 paintings that Mark Rothko created specifically for the site; religious people are seeking out its spiritual meaning and participate in interfaith events that echo beliefs from various cultures;

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Metro Pictures, Gallery of the Pictures Generation, Calls it Quits

Andy Grundberg– The announcement that Metro Pictures will close its gallery in the Chelsea neighborhood of New York at the end of the year emphatically signals – if any emphasis were needed – the end of an era of contemporary art. One could call it Postmodernism’s swan song, but it’s

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Ep. 82 – How Photography Became Contemporary Art

As Michael S. Roth wrote in his review in The Washington Post, “The maturation of Grundberg as a renowned critic coincides with the maturation of photography as an art form and its conquest of the art market. With this fine book, he has given us a personal yet balanced account

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Changeability for Survival: Sanford Biggers’s Codeswitch

Interview with the artist by David Ebony Sanford Biggers is a multifaceted, multi-talented artist with a singular, global vision. A major touring museum solo of works by the Los Angeles-born (1970), New York-based artist, Codeswitch features some sixty large-scale “quilt paintings,” as well as a number of relief constructions, and videos. Scheduled to

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… in which Nick Mauss answers some questions about Transmissions

Transmissions is an installation, a collage of several art forms, a revisionist investigation of New York modernism and sexual expression, and an essay in queer theory…. The juxtapositions show that Transmissions is a work of creative imagination as much as revelation. You go to sample it as history, you absorb

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Kerry James Marshall’s “SOB, SOB” and David Dabydeen’s Philosophical Aesthetics​

Abigail Zitin— I remember it being at eye level; else how would it have caught my eye? I had gone to see Mastry, an exhibition of works by the African-American painter Kerry James Marshall, at the Met Breuer in January 2017. The painting in question, like most of Marshall’s, is large: six feet

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Torosaurus, Sea Form: What’s in a Name?

James Prosek— For an exhibition at the Yale University Art Gallery and an accompanying book, both titled James Prosek: Art, Artifact, Artifice, I juxtaposed objects from the collections of the Gallery, the Yale Peabody Museum of Natural History, and the Yale Center for British Art and works made by me.

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A Day at the Beach and Some Other Interesting Times at the 2019 Venice Biennale

By David Ebony  I. La Biennale di Venezia #58  The 2019 Venice Biennale, on view through November 24, has the head-scratching, ironic title “May You Live in Interesting Times.” The exhibition’s American-born, London-based curator Ralph Rugoff, director of the Hayward Gallery since 2006, says that the phrase has been invoked

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In Your Digital Dreams: Art in the Age of the Internet

Interview with Jeffrey De Blois By David Ebony One of my first internet projects was to write a monthly column for a website called Art Icons, beginning in the early 1990s. An experimental site, short-lived, and now defunct, Art Icons was perhaps one of the first web venues devoted exclusively

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Encountering the Spiritual in Contemporary Art

Leesa Fanning– Encountering the Spiritual in Contemporary Art is the result of many years of research fueled by my intense interest in the subject, the pursuit of which is ongoing. I initiated this publication by creating an archive of hundreds of works of art based on my own aesthetic preferences,

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